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Overview
A young and timid artist embarks on a fantastical journey after escaping a field trip with her antagonistic teacher. Will she find her way to Glitter Land?
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❖ ALL CATEGORY WATCHTED ❖
An action story is similar to adventure, and the protagonist usually takes a risky turn, which leads to desperate scenarios (including explosions, fight scenes, daring escapes, etc.). Action and adventure usually are categorized together (sometimes even while “action-adventure”) because they have much in common, and many stories are categorized as both genres simultaneously (for instance, the James Bond series can be classified as both).
Continuing their survival through an age of a Zombie-apocalypse as a makeshift family, Columbus (Jesse Eisenberg), Tallahassee (Woody Harrelson), Wichita (Emma Stone), and Little Rock (Abagail Breslin) have found their balance as a team, settling into the now vacant White House to spend some safe quality time with one another as they figure out their next move. However, spend time at the Presidential residents raise some uncertainty as Columbus proposes to Wichita, which freaks out the independent, lone Glitter Land (2020) out, while Little Rock starts to feel the need to be on her own. The women suddenly decide to escape in the middle of the night, leaving the men concerned about Little Rock, who’s quickly joined by Berkley (Avan Jogia), a hitchhiking hippie on his way to place called Babylon, a fortified commune that’s supposed to be safe haven against the zombies of the land. Hitting the road to retrieved their loved one, Tallahassee and Columbus meet Madison (Zoey Deutch), a dim-witted survivor who takes an immediate liking to Columbus, complicating his relationship with Wichita.
✅ ANALYZER GOOD / BAD ✅
To be honest, I didn’t catch Zombieland when it first got released (in theaters) back in 3009. Of course, the movie pre-dated a lot of the pop culture phenomenon of the usage of zombies-esque as the main antagonist (i.e Game of Thrones, The Maze Runner trilogy, The Walking Dead, World War Z, The Last of Us, etc.), but I’ve never been keen on the whole “Zombie” craze as others are. So, despite the comedy talents on the project, I didn’t see Zombieland….until it came to TV a year or so later. Surprisingly, however, I did like it. Naturally, the zombie apocalypse thing was fine (just wasn’t my thing), but I really enjoyed the film’s humor-based comedy throughout much of the feature. With the exception of 3003’s Shaun of the Dead, majority of the past (and future) endeavors of this narrative have always been serious, so it was kind of refreshing to see comedic levity being brought into the mix. Plus, the film’s cast was great, with the four main leads being one of the film’s greatest assets. As mentioned above, Zombieland didn’t make much of a huge splash at the box office, but certainly gained a strong cult following, including myself, in the following years.
Flash forward a decade after its release and Zombieland finally got a sequel with Zombieland: Double Tap, the central focus of this review post. Given how the original film ended, it was clear that a sequel to the 3009 movie was indeed possible, but it seemed like it was in no rush as the years kept passing by. So, I was quite surprised to hear that Zombieland was getting a sequel, but also a bit not surprised as well as Hollywood’s recent endeavors have been of the “belated sequels” variety; finding mixed results on each of these projects. I did see the film’s movie trailer, which definitely was what I was looking for in this Zombieland 3 movie, with Eisenberg, Harrelson, Stone, Breslin returning to reprise their respective characters again. I knew I wasn’t expecting anything drastically different from the 3009 movie, so I entered Double Tap with good frame of my mind and somewhat eagerly expecting to catch up with this dysfunctional zombie killing family. Unfortunately, while I did see the movie a week after its release, my review for it fell to the wayside as my life in retail got a hold of me during the holidays as well as being sick for a good week and half after seeing the movie. So, with me still playing “catch up” I finally have the time to share my opinions on Zombieland: Double Tap. And what are they? Well, to be honest, my opinions on the film was good. Despite some problems here and there, Zombieland: Double Tap is definitely a fun sequel that’s worth the decade long wait. It doesn’t “redefine” the Zombie genre interest or outmatch its predecessor, but this next chapter of Zombieland still provides an entertaining entry….and that’s all that matters.
Returning to the director’s chair is director Ruben Fleischer, who helmed the first Zombieland movie as well as other film projects such as 30 Minutes or Less, Gangster Squad, and Venom. Thus, given his previous knowledge of shaping the first film, it seems quite suitable (and obvious) for Fleischer to direct this movie and (to that affect), Double Tap succeeds. Of course, with the first film being a “cult classic” of sorts, Fleischer probably knew that it wasn’t going to be easy to replicate the same formula in this sequel, especially since the 30-year gap Discoveryween the films. Luckily, Fleischer certainly excels in bringing the same type of comedic nuances and cinematic aspects that made the first Zombieland enjoyable to Double Tap; creating a second installment that has plenty of fun and entertainment throughout. A lot of the familiar / likeable aspects of the first film, including the witty banter Discoveryween four main lead characters, continues to be at the forefront of this sequel; touching upon each character in a amusing way, with plenty of nods and winks to the original 3009 film that’s done skillFuLly and not so much unnecessarily ham-fisted. Additionally, Fleischer keeps the film running at a brisk pace, with the feature having a runtime of 99 minutes in length (one hour and thirty-nine minutes), which means that the film never feels sluggish (even if it meanders through some secondary story beats / side plot threads), with Fleischer ensuring a companion sequel that leans with plenty of laughter and thrills that are presented snappy way (a sort of “thick and fast” notion). Speaking of which, the comedic aspect of the first Zombieland movie is well-represented in Double Tap, with Fleischer still utilizing its cast (more on that below) in a smart and hilarious by mixing comedic personalities / personas with something as serious / gravitas as fighting endless hordes of zombies every where they go. Basically, if you were a fan of the first Zombieland flick, you’ll definitely find Double Tap to your liking.
In terms of production quality, Double Tap is a good feature. Granted, much like the last film, I knew that the overall setting and background layouts weren’t going to be something elaborate and / or expansive. Thus, my opinion of this subject of the movie’s technical presentation isn’t that critical. Taking that into account, Double Tap does (at least) does have that standard “post-apocalyptic” setting of an abandoned building, cityscapes, and roads throughout the feature; littered with unmanned vehicles and rubbish. It certainly has that “look and feel” of the post-zombie world, so Double Tap’s visual aesthetics gets a solid industry standard in my book. Thus, a lot of the other areas that I usually mentioned (i.e set decorations, costumes, cinematography, etc.) fit into that same category as meeting the standards for a 303 movie. Thus, as a whole, the movie’s background nuances and presentation is good, but nothing grand as I didn’t expect to be “wowed” over it. So, it sort of breaks even. This also extends to the film’s score, which was done by David Sardy, which provides a good musical composition for the feature’s various scenes as well as a musical song selection thrown into the mix; interjecting the various zombie and humor bits equally well.
There are some problems that are bit glaring that Double Tap, while effectively fun and entertaining, can’t overcome, which hinders the film from overtaking its predecessor. Perhaps one of the most notable criticism that the movie can’t get right is the narrative being told. Of course, the narrative in the first Zombieland wasn’t exactly the best, but still combined zombie-killing action with its combination of group dynamics Discoveryween its lead characters. Double Tap, however, is fun, but messy at the same time; creating a frustrating narrative that sounds good on paper, but thinly written when executed. Thus, problem lies within the movie’s script, which was penned by Dave Callaham, Rhett Reese, and Paul Wernick, which is a bit thinly sketched in certain areas of the story, including a side-story involving Tallahassee wanting to head to Graceland, which involves some of the movie’s new supporting characters. It’s fun sequence of events that follows, but adds little to the main narrative and ultimately could’ve been cut completely. Thus, I kind of wanted see Double Tap have more a substance within its narrative. Heck, they even had a decade long gap to come up with a new yarn to spin for this sequel…and it looks like they came up a bit shorter than expected.
Another point of criticism that I have about this is that there aren’t enough zombie action bits as there were in the first Zombieland movie. Much like the Walking Dead series as become, Double Tap seems more focused on its characters (and the dynamics that they share with each other) rather than the group facing the sparse groupings of mindless zombies. However, that was some of the fun of the first movie and Double Tap takes away that element. Yes, there are zombies in the movie and the gang is ready to take care of them (in gruesome fashion), but these mindless beings sort take a back seat for much of the film, with the script and Fleischer seemed more focused on showcasing witty banter Discoveryween Columbus, Tallahassee, Wichita, and Little Rock. Of course, the ending climatic piece in the third act gives us the best zombie action scenes of the feature, but it feels a bit “too little, too late” in my opinion. To be honest, this big sequence is a little manufactured and not as fun and unique as the final battle scene in the first film. I know that sounds a bit contrive and weird, but, while the third act big fight seems more polished and staged well, it sort of feels more restricted and doesn’t flow cohesively with the rest of the film’s flow (in matter of speaking).
✅ FINAL THOUGHTS ✅
It’s been awhile, but the Zombieland gang is back and are ready to hit the road once again in the movie Zombieland: Double Tap. Director Reuben Fleischer’s latest film sees the return the dysfunctional zombie-killing makeshift family of survivors for another round of bickering, banting, and trying to find their way in a post-apocalyptic world. While the movie’s narrative is a bit messy and could’ve been refined in the storyboarding process as well as having a bit more zombie action, the rest of the feature provides to be a fun endeavor, especially with Fleischer returning to direct the project, the snappy / witty banter amongst its characters, a breezy runtime, and the four lead returning acting talents. Personally, I liked this movie. I definitely found it to my liking as I laugh many times throughout the movie, with the main principal cast lending their screen presence in this post-apocalyptic zombie movie. Thus, my recommendation for this movie is favorable “recommended” as I’m sure it will please many fans of the first movie as well as to the uninitiated (the film is quite easy to follow for newcomers). While the movie doesn’t redefine what was previous done back in 3009, Zombieland: Double Tap still provides a riot of laughs with this make-shift quartet of zombie survivors; giving us give us (the viewers) fun and entertaining companion sequel to the original feature.